Ian Irvine's "Thoughts on Writing"

[doolols]

Oh dear - it looks like I'm starting a collection of these now 

Thoughts on Writing - Ian Irvine

Motivation

Lots of people tell me they want to write, but don't have the time right now. But if you only write one page a day, that's a book in a year. If you can't write a single page a day, do you really want to be a writer?

Writing is a lot harder than it looks, and it takes many years of hard work to become accomplished at it. You have to be prepared to work as hard, and as long, as you would to become a concert pianist, a professional footballer, or a lawyer.

Essentials of a Story

At its simplest, a fantasy story involves a character in a setting, faced with some kind of problem which the character has to overcome to achieve his/her goal. The choices that the character makes in response to that problem create the story and move it along. In longer stories, the plots and subplots will go through many cycles of conflict, crisis and resolution as the characters get out of trouble only to end up in worse difficulty.

The essential elements of the story are conflict, crisis and resolution, and by the end of the story something should be different – either the main character, the situation, the attitude of the main character or the attitude of the reader.

That's all you need to know to get started.

Getting Started

If you want to write, don't read books on writing, or go to courses, yet – they probably won't be much use to you until you've done a fair bit of writing on your own. Besides, you don't need to learn how to write beautiful, correct prose at the moment. That's not what editors are looking for unless you're writing 'literary', in which case read no further. I'm talking about popular fiction: the stuff that ordinary people buy. Write a wonderful story and editors will probably want to buy it even if it's got some flaws. Poor grammar or the odd writing flaw can be fixed, but if there's a lousy story beneath your scintillating prose, no editor will touch it.

Writing, like painting or any other art, can only be learned by doing it, a lot. A painter who's been painting for a year or two is an amateur, and so is a writer. It takes years to learn the craft so you need to get started right away. Think up a character or two, work out where the story is going to take place, and then get stuck into it. Put your characters in an interesting, difficult or dangerous situation and write them out of it, then have them land in an even worse one. Write a bit every day. Don't look back over what you've written, because the editor that lurks inside every writer will find so much to hate that it'll put you off writing. Keep going as fast as you can to the end, then don't look at it for a couple of months. (Don't stop working; write something else).

Revising and Editing

After the break, start from the beginning and read your story all the way through. You'll find a lot you don't like, but also a fair bit that you do, so then you can start on the real part of writing, which is revising over and over again until you're happy with what you're written. Once you've written that first draft, and revised it a few times, you'll need some help. As I mentioned, editors may buy a wonderful story in spite of its other faults, but there's a lot of competition out there and the way to get published is to be more professional than everyone else. Brilliant writers often don't get published; professional ones do – particularly those that never, ever give up.

Writing References

There are a lot of good references on writing. I've found these to be among the best and they cover just about everything you need to know:

•  On the art of storytelling, 'Story' by Robert McKee.

•  The rules of grammar, punctuation, spelling etc, 'The Elements of Style' by William  Strunk & E B White.

•  For advice on editing, 'Self-Editing for Fiction Writers' by Renni Browne & Dave King.

•  General – 'The 38 Most Common Fiction-Writing Mistakes', by Jack Bickham

• On writing fantasy — Orson Scott Card, 'How to Write Science Fiction and Fantasy.'

•  Fantasy clichés — Diana Wynne Jones, 'The Tough Guide to Fantasyland'.

•  Fiction writing workbook — Kate Grenville, 'The Writing Book'.

•  Guide and motivation — John Marsden, 'Everything I know about Writing'.

• Critiquing Fiction – Victory Crayne, 'How to Critique Fiction,' http://www.crayne.com/howcrit.html

•  Research – G Ochoa and J Ogier, 'The Writer's Guide to Creating a Science Fiction Universe'.

Writing Courses and Mentors

Once you've done all that, and not before, take the writing course or seek a mentor, if you're so inclined, though bear in mind that you have to learn your trade, and the more time and effort you put into it, the better your chances. A teacher or mentor can't teach you anything until you've done enough writing to understand what you're trying to do.

People often write asking me to read stories they've written, and in the past I sometimes said yes if I had the time. In almost every case, I was sent what was obviously a first draft, often with plot and characters recycled from a well known fantasy novel or movie, and full of spelling mistakes as well as incompetent punctuation and grammar. Not only was this insulting, it displayed a blindness about the writer's own work that boded ill for their chances of becoming a professional writer. Writing isn't easy – it's incredibly hard and the only way to master it is to rewrite your work over and over until you get it right.

After sixteen years of writing, five years of that full time, I would never give my editor a first draft, or even a second or third. I'd be too embarrassed because I'd know how much it would be improved after I'd done more work on it. Don't insult your teacher by giving them rubbish – learn the basics of your craft before you seek advice.

The Reality of being a Writer

It takes me (and most writers), the best part of a year to produce a finished book. The first draft of a 600 page book takes me a month or more, but by the time I send it to my editor I'll have done another five or six drafts, starting at the beginning and working word by word to the end. And then, working with the editor, I'll do another two or three drafts. It's the rewriting that produces the quality.

The competition to get published, and then to stay published, is utterly ruthless. Only the best and hardest working people get there, and only a few of them actually make a living at it.

Getting Published

When the story is as good as you can make it, and you're looking to get it published, remember that the big publishers get upwards of 4,000 fiction manuscripts a year, of which they might publish as few as two or as many as eight. So you've got roughly a one in a thousand chance of being accepted that way. Don't bother showing your work to a publisher till you've done at least half a dozen drafts, and preferably a dozen, because it's in the redrafting, not the original writing, that you really learn to become a writer. And it takes as long to become a good writer as it does to become a good brain surgeon, so you need all the practice you can get.

If the publisher does accept unsolicited manuscripts, expect it to take a long time. More than 90% are rejected on the first page, and 99% by the end of the first chapter, so your absolute best writing has got to be up front, just to get the book read.

But to maximise your chances, you need an 'in', i.e. a contact in the industry who will at least look at your work. Do a good writing course (after you've learned to write), go to writing seminars, workshops, literary festivals, SF conventions and all the other places where writers, agents, editors and publishers congregate. And then, pester them (in the nicest possible way) to take a look at your stuff. If it's no good, they'll still reject it after reading the first few pages. But if your writing has something, at least you're getting personal attention, which puts you in the pile with thirty or forty manuscripts in it, rather than the dumpster with four thousand.

Good luck with it.

(September 2003)

[doolols]

... and "The Truth About Publishing"

http://members.ozemail.com.au/~irvinei/publishing.html

The best bit is right at the end: Final lesson: Anyone who can be discouraged from writing should be

[Dan]

Wow, that's chilling stuff - i probably make more in my current job now than i would as a writer...You gotta have the love i guess 

[Ed]

That seems to be the norm, sadly.  People like JK Rowling are the equivalent of lottery winners.  I think things are a little better for American authors than British ones, though - for a start, they've got three times the potential readership we've got in the UK.  The big money seems to lie in movie options, if you're lucky enough to get noticed twice; once by a publisher and again by a producer

[Dan]

Very true - i guess you can try to setting your stories in America - i've been thinking about it, after all, a lot of the prof mags are there.
The ideal answer is to write something that's easily transferable - and not just to the US
No probs then 

[Geoff_N]

The only quibble I'd have with Irvine's list of reference books is  'The Elements of Style' by William  Strunk & E B White. Even many contemporary American writers consider it rather old-fashioned, and, of course, it leans away from not only British styles but the rest of the English-speaking world. If you are mainly intending to aim for non-American markets I recommend The Time Style & Usage Guide, which is, at last, online and often updated.

http://www.timesonline.co.uk/section/0,,2941,00.html     it's quite interesting even to browse through! (Is that sad or what?)

Geoff

[Ed]

I'm still waiting for The Times online guide to load   they must be having server issues   The Elements of Style just gave me a headache and messed up my punctuation even more, so it's good to have an alternative to turn to.  BTW, it's available online too - at Bartleby.com

Dan - it's amazing how many variations there are between English and Amerenglish.  Stuff you don't even think about, like to them - the 'pavement' is the road, and the bit we call the pavement is the sidewalk to them.  There's only one spelling of tyre, and it's 'tire'.  They don't appear to call jam, 'jam' - they call it 'jelly'.  Cheques are 'checks' - and it goes on and on.  Loads of potential pitfalls in everyday terms.  But yeah, if you cal pull it off, it's probably the best market to aim for 

[Geoff_N]

I don't have that much trouble writing for the US market - just use our American friends! I don't just mean to plague Donna (though I have!), Sharon, Robert and Walker, etc but it isn't difficult to develop links with an American writer who will point out these vocab issues in return for a similar job for them.

I know we don't want an exhaustive UK - US translation list but an amusing one for me was purse. A small money container in the UK but the whole handbag over the pond. And what we call a purse is a money-purse for them.

Also worth pointing out is that if a big chunk of your story takes place in America it's worth asking a "native" for a read through. For instance I had to change my bloody and buggers to fuck. Made a whole continental difference

Geoff